โ ๐๐๐ซ๐ฑ ๐๐ฌ๐ฏ๐ข
2023
A choreography for pyrotechnics, smoke and lighting effects. Reflections on the aesthetics of Danger, Destruction and Darkness in pop culture and mass media. Is it possible to reclaim to symbols of destruction? The hฬธอฬฝฬอฬฬฬอออฬ ฬฬฃฬอฬจฬงฬฎฬoฬธฬฬออฬฬอฬผอฬบฬซอ ฬฅฬปอฬฬกrฬตฬฬอ ฬอฬฝฬฬอฬอฬออออฬกอฬผออrฬตฬฬอ ฬอฬฝฬฬอฬอฬออออฬกอฬผออoฬธฬฬออฬฬอฬผอฬบฬซอ ฬฅฬปอฬฬกrฬตฬฬอ ฬอฬฝฬฬอฬอฬออออฬกอฬผออ, the annihilation, the erotic charge of domination?
2023
A choreography for pyrotechnics, smoke and lighting effects. Reflections on the aesthetics of Danger, Destruction and Darkness in pop culture and mass media. Is it possible to reclaim to symbols of destruction? The hฬธอฬฝฬอฬฬฬอออฬ ฬฬฃฬอฬจฬงฬฎฬoฬธฬฬออฬฬอฬผอฬบฬซอ ฬฅฬปอฬฬกrฬตฬฬอ ฬอฬฝฬฬอฬอฬออออฬกอฬผออrฬตฬฬอ ฬอฬฝฬฬอฬอฬออออฬกอฬผออoฬธฬฬออฬฬอฬผอฬบฬซอ ฬฅฬปอฬฬกrฬตฬฬอ ฬอฬฝฬฬอฬอฬออออฬกอฬผออ, the annihilation, the erotic charge of domination?
Research done at Gardening #2, a residency by GREENHOUSE, a project initiated by BAU plaform for Dance and Performance, Boogaerdt/VanderSchoot, Keren Levi | NeverLike, Nicole Beutler Projects and Veem House of Performance.